Rock Art Research

Vol. 43 No. 2 (2026)
Published : 2026-06-03

INDIGENOUS VOYAGING, MOLUCCAN BOATS, ROCK ART AND CULTURAL EXCHANGE IN 1800S NORTHWEST ARNHEM LAND, AUSTRALIA

Paul S.C. Taçon (1), Sally K. May (2), Emily Miller (3), Joakim Goldhahn (4), Andrea Jalandoni (5), Daryl Wesley (6), Liam M. Brady (7), Charlie Mungulda (8),

(1) Place, Evolution and Rock Art Heritage Unit (PERAHU), Griffith Centre for Social and Cultural Research, Gold Coast campus, Griffith University, QLD 4222, Australia
(2) School of Humanities, College of Creative Arts, Design and Humanities, Adelaide University, Australia School of Humanities, University of Adelaide, SA, 5005, Australia
(3) School of Humanities, College of Creative Arts, Design and Humanities, Adelaide University, Australia
(4) School of Humanities, College of Creative Arts, Design and Humanities, Adelaide University, Australia; Affiliated Professor, School of Cultural Sciences, Linnæus University, Sweden; Affiliated Researcher, The National Museum of Kenya, Nairobi
(5) Place, Evolution and Rock Art Heritage Unit (PERAHU), Griffith Centre for Social and Cultural Research, Gold Coast campus, Griffith University, QLD 4222, Australia
(6) College of Humanities, Arts and Social Sciences, Flinders University, South Australia, Australia
(7) College of Humanities, Arts and Social Sciences, Flinders University, South Australia, Australia
(8) Davidsons Arnhem land Safaris, Mount Borradaile, western Arnhem Land, Northern Territory, Australia
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Abstract

We address the questions of how two rock paintings identified as Moluccan fighting boats came to be made at Awunbarna (Mount Borradaile), far inland from the coast, and who could have made them.  Aboriginal people from the Cobourg Peninsula, immediately north of Awunbarna, were boarding foreign watercraft since at least 1705 and travelling to and from Sulawesi on Macassan perahus regularly since at  least the 1820s. But in historical records of the 1830s to 1850s from the settlement of Victoria, Port Essington  there are a few named individuals who stand out as sea voyagers on foreign vessels. One Aboriginal man,  Alamurdie (Jack White), who travelled around and across the Cobourg Peninsula on foot, visited several  Moluccan islands on a ship in 1839. The rock paintings of the Moluccan boats are only a few days walk from  Victoria, and the Amurdak speaking people on whose land the paintings are situated have long had close relations with their northern Iwaidja neighbours. We argue that Alamurdie could well have been the person who made the paintings, perhaps after his 1839 voyage to the islands of Tanimbar, Aru, and Kei in what is today Indonesia.

How to Cite

INDIGENOUS VOYAGING, MOLUCCAN BOATS, ROCK ART AND CULTURAL EXCHANGE IN 1800S NORTHWEST ARNHEM LAND, AUSTRALIA. (2026). Rock Art Research, 43(2), 259-273. https://rockartresearch.com/index.php/rock/article/view/788