Rock Art Research

Vol. 38 No. 2 (2021)
Published : Nov 5, 2021

QUILP’S HORSE: ROCK ART AND ARTIST LIFE-BIOGRAPHY IN WESTERN ARNHEM LAND, AUSTRALIA

Sally K. May (1), Joakim Goldhahn (2), Laura Rademaker (3), Graham Badari (4), Paul S. C. Taçon (5)

(1) Gold Coast campus, Griffith University, Australia
(2) Research and Management, University of Western Australia, Australia
(3) Research Centre for Deep History, Australian National University, Australia
(4) Australia
(5) Gold Coast campus, Griffith University, Australia
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Abstract

Rock art created in the recent past has often been interpreted as a passive reflection of Indigenous curiosity at newly introduced phenomena. However, more recent analyses have tried to refigure such depictions as active and innovative artworks with social and cultural roles to play. Likewise, most contact rock art studies identify and interpret contact rock art within the clan or group context — as representations of a whole. In this paper, we broaden the conceptual framework around contact rock art to, where possible, embrace analyses of particular artists, their life biographies and legacies. By focusing on one known artist and his painting of a horse in western Arnhem Land, we draw together rock art studies, ethnography and Aboriginal life biographies to provide a more comprehensive understanding of Australian history.